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Teatre Tivoli
Historic information
The Teatro Tívoli has its origins in the 19th-century pleasure gardens which once lined the Passeig de Gràcia, and, in this case, the Tivoli Gardens, which were located between the Carrer Consell de Cent and the Carrer València. In 1868, when the businessman Ignasi Elias i Font joined the management, the theatre made a qualitative leap. A new theatre was set up where the public could enjoy works by renowned playwrights such as Frederic Soler, who was popularly known as “Pitarra”. At the time, it was the most frequented theatre of those that opened in summer. The Tivoli moved permanently to its current premises in 1917; they were designed by Miquel Madorell. Important features include the glass windows framed by columns and the glass and iron canopy.
In order to know the zone better
At the beginning of the 19th century, Barcelona was a heavily built-up, industrial city, enclosed within its own walls. The need to grow closer to nature led to the construction of broad, tree-lined avenues, which included the Passeig de Gràcia. Occupying a stretch of road known as the Camí de Jesús, between the Portal del Àngel and the expanding village of Gràcia, this avenue played a decisive role in developing Ildefons Cerdà’s Eixample project. At the beginning of the 20th century, the boulevard became Barcelona’s new main street and the backdrop to a city that was beginning the new century with fresh impetus from the upper middle classes, the rise of modernisme and the arrival of the motorcar. Nowadays, it forms the backbone of the Eixample district. It is an avenue that combines private homes, prestigious shops, cafés, restaurants and many of the architectural jewels of the modernista era, such as Domènech i Montaner’s Casa Lleó Morera, Puig i Cadafalch’s Casa Amatller and Gaudí’s Casa Batlló and Casa Mila (La Pedrera). Also worth highlighting are the streetlamp-benches designed in 1906 by Pere Flaqués. The benches, the white broken-tile mosaics and wrought-iron streetlamps with their plant motifs are reminiscent of Gaudí’s forms and comprise a characteristic modernista ensemble. Another significant element are the Panots de la Varsovia: identical, hexagonal paving stones copied from the tiles designed by Gaudí for the floor of the Casa Batlló which were eventually laid in the kitchens of the apartments in La Pedrera. In 2002 the municipal council paved the Passeig de Gràcia with these Panots, which reveal marine motifs when viewed as a set of six units: an octopus, a sea snail and a starfish.
Scene description
All about my mother
Teatre Tivoli: Manuela (Cecilia Roth) buys a ticket for the play A Streetcar Named Desire from the theatre box office.
Did you know that...
In the words of the director, the inclusion of A Streetcar Named Desire wasn’t just a cultural symbol, but a type of object that forms an intrinsic part of the story. The choice of play provided the perfect vehicle for Marisa Paredes’ talent, as well as to highlight the appropriateness of the lines spoken by Stella as she cradles her son which will be repeated by Manuela when she plays the same character: “I’ll never come back to this house”. The young Manuela first utters these lines in Argentina, she then repeats them in Madrid and, finally, she says them on the stage of a theatre in Barcelona.
The real theatre entrance was used in the film. The scenes in the dressing room were filmed on a set. One of the ushers is Antxon Gómez, the film’s artistic director.
The Barcelona of Pedro Almodovar  /  Teatre Tivoli
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